Continuously reedited and reissued, Tonal Arrangements in Philosophical Form, as a comprehensive suite of silhouettes, comes to express, as I would conceive it, a personal attempt at restructuring western dress, in its presently industrial tradition, initially from a purely material perspective, through the technical manipulation of the constitutive fabric and the refining of the general cut of the garments in order to allow for a greater ease of movement and a feeling of unrestraint, prioritizing the sense of touch over that of the visual while nevertheless not entirely sacrificing the later to the former, an endeavor which, in its essential alteration of the shapes themselves, ultimately comes to ideologically propose a reformulated conception of classical formalism through the offering of a seemingly modified system of aesthetic values.